Thursday, August 2, 2018


Oh hi guys! I see you found me!

What's that? You were wondering where I was?

Well you seeeee....

*Que in musical number sequence and a montage of Katie getting her creativity blocked, running away to Oregon where she didn't find herself or creativity but she did find a lavender field, coming back home, and finding her writing again and bunch of new friends on twitter*


And now I'm back! Mostly! Hi! Hello! If you haven't been here before let me give you a brief overview:


We good? Kay cool!

Today we're going to talk about a subject that's going to hurt.


So if you don't know how to pull your big person writer pants maybe grab a drink or four and join me on this fun topic of:

(omg I think I just passed out from nervousness saying that. Please don't hate me yet okay!? I swear this has a mostly happy ending! I'm not George R.R. Martin okay?)

Now, I'd like to preface this by saying this: I'm in a really weird limbo when it comes to my life as a writer. I'm both an indie author (ahahah I laugh saying that because I make no money at it really even though I love my novella so much) and an author that's been picked up by online publishing houses who hopes to someday also be Trad (traditionally) published with one of the big 5 and have an agent.


Now that we all know where I am, let's talk about this sticky subject that a lot of authors/writers seem to not often talk about for fear of losing followers or friends.

 But I'm going to be the Simon Cowell of this operation and give it to you straight. Because you deserve honesty even if it's brutal. Because I know you can handle it. And because you can't fix the problem if you're not aware of it.

The reason people give you That Look (pained smile, slowly backing away, or trying not to roll their eyes) when you say you're a self published (aka indie) author is because right now 95% of it is well.....crap.

And don't look offended at me like I don't know what I'm talking about and have grown 3 horns.

You know what I'm talking about.

It's the people who--like a college student who has their essay paper due tomorrow--self publish a book they wrote having never in their life written one, nor do they like reading all that much (I've literally been told this by people). But their story is different. Their story is unique. 

So unique and different in fact, that they don't need an editor, copy editor, line editor, content editor, book cover designer, or formatter. Really, any kind of editor.


There are of course, TONS of amazing authors who the Trad machine pass by--books that go on to be indie authors who then become bestsellers. Yes, it does happen more often than you think.

But you know what they did right (besides sacrificing their souls to some bored demon)? They did self-publishing correctly.

Yep! There's a right way to self publish!

While you let that sink in I want to also say that I'm not here to tell you the full rundown on how to do that. I can save that for another post (and actually I possibly even wrote one earlier? I'll have to dig later for you).

Here's the brutal, honest, Simon Cowell (Katie Masters?) answer:


That means getting editors that aren't your cousins. That means book covers that aren't designed by your next door neighbor. That means being willing to take criticism and change things in your book to make it better. That means doing a LOT of leg work all by yourself like going to indie book stores and libraries and yes, even school libraries (if it's for that age range). It means putting yourself out there.


Writing is hard, and making a writing career is hard. But so are a lot of dream jobs you work towards. And the ones who do it right? They get to quit their jobs to write full time and put the worlds spilling from their heads onto paper/computer for a living.

Yes, yes you can, friend.

Editors--GOOD editors--want you to succeed because when you do, they do! They get known for being a really great editor and more people go to them and they get paid more and then they can feed their cat fancy food like us authors who own cats. And they aren't insanely expensive. They CAN be, but they aren't always, and more often than not, they're willing to work with you and they also frequently have deals going on.

(OF NOTE: Unless they can prove they're Stephen Kings editor or your book is 1000 pages long, you shouldn't be paying more than a few hundred dollars AT THE SUPER HIGH END. I know friends who got their entire manuscript professionally edited by a great editor for 150 dollars. That's 55 cups of coffee y'all (yes I just used a calculator for that).

And book cover artists can be found through searching for illustrators via twitter using hashtags like #illustrator, deviant art, and even Tumblr. Prices are usually very fair, especially if you're working with artists ALSO trying to make it. Help each other out.

But right. At the end of the day, if you aren't taking your book and yourself seriously, neither will the public.

And for too long, those who don't care, are the ones pumping out books onto amazon and dragging the name 'indie author' through the mud and making people assume you don't know how to write well.


So many of you want to do it right. So many of you have diamonds in the rough and honest-to-writing-gods talent. But you think that by being Indie it'll be cheaper/easier. It's not. In the beginning, it's usually more expensive, and it's definitely harder. That's why people opt for going for digital press or Trad. It's expensive and time consuming to do it yourself.

But if you think your goals are worth it, you invest in yourself like you invest in college or any other skill you want to learn to improve your life.

You get what you put in.

So if you want people to look impressed and star-struck when you say you're an Indie Author, you need to change the image that it has now. Because right now saying 'indie author' usually conjures up images of spelling mistake riddled-shoddily made covers-horribly  plotted, books.

You need to treat yourself and work professionally. You need to invest in yourself and your future.

Because until you do--until the vast majority of us do--you're going to get The Look from a lot of the world.

And you and your work deserve better than that.

Put into yourself what you want out of yourself.

Wednesday, May 9, 2018


"What's your platform?"

"How many platforms are you on?"

"Do you have a platform?"

Those words asked by agents or online publishing houses strike panic and confusion into the hearts of new writers and groans and throwing-myself-off-the-cliff actions from semi-seasoned authors.


What does that word mean!? What is a platform!? Why do agents care about this? Should I care about this?


When an agent or online publishing house is interested in you, they're going to ask you these questions at some point. You might not know what that word means. Let me enlighten you.

Platform is a fancy way of saying "oh hey, are you on IG, twitter, snapchat, Facebook, blogs, and/or (but hopefully and) YouTube?"

What they're really asking is this: Are you popular? Do you have a bajeezus ton of followers? Do you have thousands of people who worship the words you write and will willingly fork over 7 to 24 dollars on your book without us having to do too much of the promoting ourselves? Have you done 90% of the ground work for us?


Oh god. The other italicized words that strike fear (or confusion for you new comers) into a writer's heart.

Are you a brand? ARE YOU?

How does one even become a brand?

You do it by being you. Or a very hyped-up-on-sugar-and-caffeine-and-on-point-eyeliner version of you. The you that is authentic (but not too authentic) and shares everything (but maybe not everything, y'know?) about their lives to make them lovable/relatable to at least 8/10 th's of the world's population. But don't try to be fake. That shit will get you unloved and un-followed soooo fast. You can smell fake people--and so can others.

Now, I'm going to do you a solid, writer fam, and explain Author/Writer Branding to you. YOU, as a human living on this planet, are a BRAND. That's right. You need to become a household name like Oprah, Martha Stewart (pre-prison era), or Channing Tatum. Or The Rock. Or Neil Gaiman. That's what the publishing houses and agents are looking for.

How do you make yourself a brand though? You're not some cereal in a shopping isle!

Um.... are?

Here's a quick exercise for you: Imagine The Rock. What's the first thought/image that pops into your brain? How does he make you feel? Whatever it is, that's his brand. He's selling a certain aspect (or aspects) of his personality so that everyone get's the same impression--roughly--and knows exactly who he is with just his NAME. You, my dear writer friend, are a commodity. A brand of cereal.

So now I want you to think about yourself (omg I know I'm making you do something narcissistic!). What do you want people to think/feel when they hear your name or see your lovely on-point-eyeliner face?

That's what you're marketing. That's what your 'brand' is.

Now, agents and publishing houses care that you have this online presence before hand--and the more the better! If you have virtually none...that gives them a headache. That makes them worry (they'll still do the work if you don't though, but you might not like the image they want to cultivate you into). Because if you aren't online talking with the reading or writing community (on any platform), how on earth is anyone going to know who you are when your book comes out? Where/who are they going to shout out the news to?

They're really hoping you have a platform, because they don't want people seeing your name and doing this: 

That image right above these words? They don't want that. Hell, you don't want that. But that means you have to be on 'platforms'. You have to have a blog (hi!) that you update A LOT (hahah....*cough*) and have valuable content--whether that's book reviews, blogs on your path to being a writer, etc--or are a vlogger on booktube, or have beautiful pictures on IG (instagram) of books that you painstakingly put filters and flowers around for that perfect I-read-books-but-also-I-write-but-also-I'm-clearly-a-high-level-photographer aesthetic. 
Branding. It's a thing. Platforms. It's another thing.
And combined it's the thing you're supposed to be so that publishing houses can sell you easier to hungry children. Er, I mean readers.
Writer's don't like talking about the fact that they're (we're) selling their personalities. That's right. You're not selling your book friend--oh no. You're selling YOU. Whoever that version of 'you' is.

If you find yourself unsure of what platform to use or do, let me give you a couple quick tips (that I didn't follow and that's why i'm constantly behind on all of them but also I can't quit them.) to help you on creating/making/being on platforms and making yourself a brand.

- Sometimes your brand comes naturally--you didn't try to make it, it just happened. Evan Edinger from youtube for instance, is now synonymous with 'cactus' and 'puns'. That's his brand. That's what people thing of when they hear his name--and he didn't even try. They just naturally evolved as he vlogged. (Or me, with tea. Shhh, I didn't slip myself in here at all, it's fine.)

-Sometimes you know your strengths in your personality and can use them as your brand. Lucky. Freaking. You.

- You don't HAVE to be on every platform ever (says the girl who is and is regretting a couple of them every day.). Pick one or two and THAT'S IT. Don't be me. Don't put yourself through this. You like taking pictures but also reviewing books? You can do it all on Instagram, a blog, or both. But you don't ALSO have to have a youtube channel and a FB page and a Twitter page, etc etc. Pick one or two of the poisons and master them.

- BIG IMPORTANT REMINDER: Contrary to popular belief, you don't promote your books. "Um, yes you do?" I hear you say. No. You, don't. You promote YOU on social media platforms. You promote your book SOMETIMES. If you're on twitter I'm sure you've seen the twitter users who do nothing but have their feed filled with their promotions over and over and never say anything about themselves, what they're working on, or the newest cat (making it the 100th!) that they've adopted into their lives. You don't follow them, because who wants an advertisement as a person? Your personality and interests are the brand first, your books become a part of YOUR image (not the other way around. At least not at first)

We good? Did I help you? DID. I. HELP. YOU?! I really hope I did because it's taken me a good 2 years to figure this out and if I can help even one person it'll be worth it.

So tell me, what's your brand? What do you define as branding and platforms? Are you on a lot of platforms or only one? What's been the most fun for you? Do you do it easily/successfully? If you do, please tell me your secrets because dear god I suck at this time management thing.

Friday, March 30, 2018


Hello every--what? No no, you're not going crazy, this is a blog update on a Friday! Aren't you excited!? AREN'T YOU JAZZED?!

.....I'm gonna pretend you said yes and that the cheering I heard was from all of you from across the world and not my stomach saying that it's been several hours since I've fed it.

Today I have exciting news! If you don't follow me on twitter, Instagram, or my Facebook page, then this news to you!

And so now dearest readers and followers (all 2 of you. Oh yes, I counted.), I present to you.....


I'll be making and releasing a newsletter

'What's the big deal?' I hear you say. Let me tell you! This won't be a ho-hum newsletter! This'll be a fun newsletter! A newsletter worthy of all bookworms and tea lovers everywhere! You may or may not know this, but I love tea. Like...a lot.

I love tea so much I used to work in a tea house where I served tea on silver trays and wore a white apron and black dress and scarfed down tiny finger sandwiches in the back kitchen like a kid eats potato chips.

That's how much I love tea, guys.

My newsletter will not only cover updates on my books and projects, but also a review of an amazing tea I'm drinking (with pictures of course!), short stories that you won't be able to find here on my blog (or anywhere else), books/comics I'm reading that month that I want to share with you, mini author interviews with amazing people, and give aways!
 And if you're nice, and enough of you subscribe to my newsletter, I might even throw in a quick food recipe for you to have along with your cup of tea!

The newsletter will be up and ready in mid May, but I'll have a subscribe button up here on my blog in mid April! I hope you subscribe because I want to share all that cool stuff with you! (do I have to think of a good name for the newsletter? yes. Do I have one? hahahaha...haha...ha.....)

So now you know all the exciting things right now (that I can reveal)!

I also have a couple other bits of news that are super amazing but I can't talk about them right now. But I'll be able to soon! So soon you guys!

But for now I leave with you a warm fuzzy feeling and the longing for delicious tea and tea foods. And writing. Because they newsletter is also about writing stuff!

****** What do you guys like to see in news letters? Do you like long author interviews or short ones? Do you even want to see what I'm reading? And do you like tea or coffee? Just kidding! The correct answer should be tea!  Please leave a comment below with your opinions and thoughts and favorite teas, because I wanna know! **********

Wednesday, March 28, 2018

How To Handle Agent Rejections (that doesn't require feeding your manuscript to a dragon)

Hello Friends! Did you know it's the last week of March? Because I sure didn't! If you follow me on twitter you know that I'm constantly reading and speaking with other writers--published, unpublished, self published and everything in between. And I noticed a trend of people talking (and posting) about something I was going to be posting about anyway--rejection.
apparently it's rejection season
(lucky us!)

So today on my blog we're going to talk about a spin on an writing subject that never seems to get old: Getting rejected by agents (or even online publishing houses). Most people bemoan getting rejected--but I want to be more for you. I WANT TO SHOW YOU HOW TO GET OVER THE STING OF REJECTION.

Now, if you have thin skin maybe don't read this. In fact, maybe don't read any of my articles. But if you've been rejected time and again and have the skin of at LEAST an armadillo and are feeling particularly hurt this time around then hang around to read this!

Because sometimes even us armadillos get smacked on our underside and not our cool tough shells.


I mean it SUPER sucks. You know that of course. That's why you're reading these words. Because you've perhaps had one too many rejections lately. And maybe you were even one of those super lucky people that got an agent that even TOLD YOU what they didn't like about your work.

Do you know how many arms and legs I would give to get even ONE rejection letter that said where I sucked or could improve? (a hint: I would sacrifice more than just my own. How do you feel about writing with one hand?) 

I've only ever gotten personally turned down once--and I was incredibly lucky that it was an encouraging one in which I was told I had a great story and strong voice but that her list was filled but to PLEASE NOT GIVE UP because it was great. It kept me going and applying for 2 more years until I *gasp* did get my book picked up (Oh hi, did you know I was actually a published author? Surprise!)
But like everyone else on the internet I've had more than my share of rejections. All of them  were your standard 'no response' or 'dear author whoever you are, thank you for applying but at this time...'. It's SO disheartening to know that you and your story weren't even worth an actual response from a person and instead got passed on to some automated message that doesn't even bother to put your name at the top and was read by some poor intern and not the actual agent you were applying to.

And in the past few weeks I've been hearing the rounds of rejections again on twitter and on blogs:

"I got rejected again"

"I haven't heard anything back from XYZ agent, and they said they responded quickly."

"Why do I bother trying? This is the 10th one this month."

"Katie, do you know any wardrobes that go to Narnia so I can just join a war there and never do this again?"

Sadly I don't own any wardrobes to Narnia, or portals to galaxies far far away. If I did, I wouldn't be typing here to you.

Rejection from agents sucks because it's like your boyfriend who got your hopes up said "it's not you, it's me." Sure, it was absolutely your fault (what I'm not bitter. Shhh), but it still feels like your fault and that you did something wrong.


 But like Sam's dad in Sixteen Candles says

We know it's hard, we know we're going to get rejected, but our hearts still hold out hope like a 16 year old girl with her first big crush. You know the guy is probably out of your league but you kinda can't help but feel hope anyway.

And as writers we're going to get rejected. CONSTANTLY. Even famous authors who we admire get their work turned away. That's right. Not even famous people are immune to the 'thanks but no thanks' from agents after fame.

So what do you do when you and all of your writer friends have been rejected for the millionth time and you feel like giving up. Like really throwing in the towel and throwing your manuscript to a manuscript eating dragon.

Fear not my armadillo! I'm going to let you in on the one sentence I rely on in these dark and pitchfork-filled times.

Are you ready? I'm going to put it in caplocks so you can REALLY burn it into your retina.

It's okay that they didn't accept your story, because it's going to land in the hands of exactly the right person, and this person wasn't it.

Don't lie to me, I know you're making that face at me right now and getting ready to throw a pitchfork at me.

But here me out! I swear I'm right!

It doesn't seem like a great phrase at face value. But I promise it's actually true and has gotten me through many a dark day. I've been turned down and ignored so many times it's almost embarrassing. And every time I wanted to give up and never submit to an agent or online publishing house again, I told my self that phrase, to remind myself that somewhere out there, and eventually, I would find my perfect match.

In my day-job life I have had instances where I thought I was a prefect fit for a job and the interview went so well and then I'd get the call I didn't get the job. I'd be devastated and knew that I would never find something better than that job. We had been a perfect match! And then a week or two later I'd interview at a new job and they would offer me the job and I would realize that this  job was really truly better than the other one. THIS job was a perfect match.

The best is yet to come. The right agent will come along.

And yeah, it might not seem like it when we're in the throws of despair, but it's true. Getting a no from an agent (as freaking sucky as it is) doesn't mean you suck as a writer. Not even by a long a shot. It means a lot of things, but mainly it means this:

Your work was not meant to be with them because there is someone better and perfect for you and your manuscript waiting to meet you. You just don't know it yet.

My first novel, Brenna Morgan and the Iron Key, was shopped around for two years.  And I was so discouraged I swore that the last people I was sending it to would be my last and then I'd toss it to the manuscript eating dragon.

And not even a week after deciding this, BAM, I was picked up by Fire & Ice Ya.

Life is going to say no to you a lot. Like, a lot. 

But just know that your book being rejected? NOT YOUR FAULT. In fact you know what? I'm going to give you an honest to god list right now. (And you all know how much I love lists).


- You're MS isn't about vampires, angels, werewolves, or dystopian settings with a girl named Kitress Neverdeen offered herself as tribute to invading aliens

- You're book might be like 50 others (don't take offense to this. Sometimes a thing happens in the industry where everyone is given the same dream within hours of each other and all of you write it at the same time. First one to finish wins. Sorry. Those are the rules and I don't make them. Blame the matrix) 

- You're book isn't actually what the agent represents (seriously this happens a lot. People don't always research what the agent has taken on as clients. Maybe check them out, huh?)

- The agent isn't interested in anything they said they were interested in, even though your book was exactly up their supposed ally (again, what? I'm not bitter. no.) 

- You didn't actually have anyone edit your novel and assumed it was perfect after the first draft.

- Your MS is really different and out there and doesn't adhere to the normal 'blockbuster storylines' that agents are told to look for and accept. It's too different--and different terrifies publishing houses.

But just remember, somewhere out there is an agent or online publishing house waiting for you and will be the peanut butter to your jam.

It's going to land in the right hands, even if it doesn't seem like it right now.

What do you do when you find yourself on the edge after yet another agent rejection? Do you carry on? Do you wallow in ice cream? Do you have another phrase you use that makes you feel better? THIS AUTHOR WANTS TO KNOW (and probably other hurting, freshly rejected writers)

Wednesday, February 7, 2018


Hello my reader and writerlings! It's been forever and a day--or so it must seem! But really it's only weeks. So that equals to practically forever and a day, but not quite!

But you're not her to talk time schemantics! You're here to read! And thank goodness for that or I'd be out of a job!


If you're new to the show and need to catch up (I mean, you could just start here, but you'd be missing some prime fairytale set up and snark and awkward flirting) you can read chapters 1 and 2 here and here. Go on, I'll wait while you catch up.


You good?  Great!

When last we left Agate he had gotten thoroughly lost in the Dark Woods, his clothes had been tattered, and he was contemplating visiting a singing village to find his way to the castle where the Dark Prince was hosting a ball. His ears were saved from this fate when an attractive but obviously lying man comes to his rescue, professing to be his fairy godmother. Agate does not believe him, but he's given new clothes for the ball, a way to get there, and been commanded to dance with the Dark Prince all night.

And now he's arrived at the ball! but can he keep his promise to his not-fairy-godmother? And why does he know about Snowflake's obsession with flowers? And why does Aunt Wentle hate him so much? Find out (maybe) in chapter three!


Ch. 3

(In Which Agate Makes His Grand Entrance Poorly)

      Now, I don't mean to be one to brag, but before I was put under Aunt Wentle's care I lived in a nice home. Or rather, a nice mansion. Or, if you're an angry villager who's also highly superstitious, I lived in an imposing, dark, cursed mansion. Which is ridiculous, because my house had hundreds of windows, and the only cursed item we had was locked in silver chains down in the dungeon. But it was imposing, which kept villagers from coming too close to it.

      But as grand and imposing as my home had been, it was nothing compared to the castle that the Dark Prince lived in. When I crossed the lowered drawbridge I saw that the moat had not one, but two water dragons that made the dark water foam white when they thrashed their tails and gnashed their teeth. There was a long line of guards on either side of the bridge whose black armor gleamed thanks to floating white lanterns dangling above, and the air smelled like snow and food and perfume. It was actually a really unsettling scent.

      The inside of the castle was just as imposing as the outside, with cold marble floors I could feel through my boots, dozens of crystal chandeliers shaped like icicles--clearly he was really running with the 'winter' theme--and so many mysterious nooks that I even caught one nook sneaking into another. There were some people milling about, but no one I recognized yet, which was a relief. I wasn't sure how quickly the news of my parents death had spread, or what rumors were being circulated. Yet another failing of being carted off to live in the Dark Woods.

      A young woman with a dress that looked more like a snowball than a fashion forward statement bumped into me from behind. I stiffened and thought for the briefest of moments of side stepping and letting her fall. I hated strangers touching me. You didn't know where their hands had been--or when they'd last cleaned them. Instead I did the polite thing and steadied her.

     "Are you alright?" I asked politely.
     "Oh yes, I'm just....oh."

      I smiled, hoping it came across as mysterious and knowing, instead of tight and strained. I hated that women reacted this way towards me. Imagine if your most annoying cousin suddenly fancied you and wanted to kiss you and chased you around no matter where you went. That's how it felt when women looked at me like this woman was looking at me now. She batted her eyes and tucked a perfectly placed curl behind her ear. Her ears were a bit pointy. She really should have left the curl in front of it.

      "I haven't seen you before, sir.....what is your name?"

      I thought quickly. I really didn't want her knowing my real name, at least for as long as was humanly possible. She was smiling up at me between her lashes. I'm sure to other men she would be very pretty. Unfortunately for her I wasn't most men. I stood a bit taller, smiled a bit deeper.

     "Egbeth." There. That sounded horrifying enough. Girls really didn't like boys with weird names.

     "What a..." She was searching for a nice thing to say to me. "Unique name."

     "Yes, my aunt picked it out. For a troll she has a remarkable imagination."

     "A troll you say?"

     "Yes. On my father's side."

    "Oh. Yes. I....oh my, is that my friend? Do excuse me"

     I bowed and smiled as I watched her hurry away to the other side of the room where there didn't seem to be anyone waiting for her. It was then I noticed the grand stairway to the right. Those who weren't milling about were going up it, where two giants stood watch in front of a heavy black curtain. More terrifying than the giants with their giant tusks and balding heads was the man dressed in the palace colors taking the invitations. He was tiny, perhaps only coming to my knee, and had sharp mean eyes. I groaned. There was no mistaking that face, and it was the last one I wanted to see, next to Aunt Wentle.

     I'd been on Rumpelstiltskin's bad side ever since I told a princess his name. But I had only told her so she would put in a good word about me to her handsome brother. Not only did she forget to tell him about me, she also told Rumpelstiltskin I'd told her his name. Even with my invitation I doubted he'd let me pass. There had to be another way in.

     I scanned the many nooks and saw one on the left that looked like it might go through the back and around the ballroom. And if there was a window or balcony I could easily climb over it and into the ball room. Perfect. I headed towards the left, hoping I blended in well.


     The voice calling my name was nasal and dripping in feigned friendliness. I spun around to see Rumpelstiltskin motioning me over. I couldn't ignore him now. Drat. I kept my smile on my face and headed over to him. He had a smile on his face, the nasty kind that meant he had a trick up his sleeve.

    "Didn't think I'd see you here, m'boy." He said, his beady eyes flashing. "Heard you weren't invited."

    "As you can see, I am." I withdrew the invitation and some of his smile deflated. "How are you? How are the kids?"

    "The ones you keep getting from princess."

    "Oh those." He grimaced. "Gone, all of em. Thanks to you the princesses all got them back."

   "I....." I lost my voice for a moment. Why....why he looked to be tearing up!  "I thought you hated children. You hated me."

    "Of course I hate children you dunderhead! But now I have such a dirty house to take care of no one to clean it for free! And it's no thanks to you!"

     I was certain he was going to tear up my invitation. Instead he opened it and withdrew a white card with scrawling writing. He sniffed it, then narrowed his eyes at me as he leaned closer, sniffing the air around me. Insulted doesn't even begin to describe how I was feeling. I could feel heat creeping up my neck and down my arms. My fingers began to tingle as  I tried to keep my temper in check.

     "Little Agate you smell like a wish."

     "Excuse me?"

     "You heard me. Have you been hanging around genies?"

     "I've never even met a...." I thought back to the man with golden eyes and caramel skin.

     "Never what?"

    "I've never hung around a genie. This coat is borrowed is all. Are you going to let me in or not?"

    "Hmph." Taking the card he tapped it against his leg, then grunted. "I supposed I have to, don't I. I can't lose this job. Step on through Agate. I do hope you have a good time."

    "Thank you."

     I said it with as much genuine emotion as he did--which meant not at all. He snapped his fingers and the giant behind him raised the black curtain, revealing a scene right out of my nightmares. Ice sculptures everywhere, magicked snow was floating down from high above, and glittering icicles were securely strung around every window; of where there were dozens.

     There was a grand staircase leading down to the main floor, where most people were dancing. To the right and left of the dancers guests milled about drinking and laughing and trying to stay warm. And on a dais build and surrounded by ice sculptures of prancing deer sat the queen and king. I could practically feel my blood freezing to a stop.

     "Oh do hurry up!" said a female voice behind me.

      I took a step forward, only to find the glittering white world wobble and spin as my feet tripped over something. By all the dark shadows above, I was falling down the stairs! Months of dodging Aunt Wentle's cane kept me from getting truly hurt as I rolled, and I stood up fast enough from my bumpy all that I felt that perhaps not too many people had noticed. My cheek was scraped, and my head a bit banged, but I hadn't broken or twisted anything. I glared up at Rumpelstiltskin who simply smiled and closed the curtain.

      A dozen pair of eyes or more were staring at me, and I tugged my coat back into place and ran a hand through my hair.

    "Well," I said with a smile, "That was a much faster way to use the stairs than walking them."

    A few people laughed and the slight hush that had fallen around me picked up once more. It is always better to make the first joke about yourself than to let someone else do it for you. After all, its better to have people laugh with you than to laugh at you. 

     "Are you alright? That was quite a fall."

     If the midnight hour had a voice, it would sound like the voice behind him. Dark, powerful, exciting. I felt as if my whole body had been wrapped in silk. It took quite a bit of courage to turn around, but when I did was grateful I had. The most beautiful man I had ever seen--and I had seen quite a few--was staring down at me in concern.

     He was perhaps a little older than myself, with skin was the color of hot chocolate, eyes the color of a spring leaf, and ebony that hair hung over his left shoulder in a thick braid was studded in droplets of ice crystals.

    It was, of course, the prince.

    All of the words I had ever acquired since birth fled my head and left me with nothing. Not one ounce of wit was left to save me. This was far worse than a tumble down the stairs.


     His hand reached forward, his fingers warm as they brushed against my scrapped cheek. I winced at the sting and he frowned.

     "Really, we should have made sure the stairs had carpet. Come with me....what is your name?"

    "Agate." I blinked, trying to clear the fog from my mind. "Agate of Edgemore."

    "Agate." The way he said my name was like a thousand dark and stormy nights. "It's an unusual name."

   "I'm an unusual person."

   It was the best I could come with, and I immediately felt like turning into an ice sculpture. The Dark Prince smiled and led me away from the stairs, his hand on my back.

   "Of that, I have no doubt."


Thursday, January 4, 2018


Hello! Happy New Year! Merry Everything! How are you!?

Did I cover everything? Okay cool.

WELCOME BOYS AND GIRLS to the second installment of Cinderboy! I'm SO glad you've joined me in this fractured, mashed up fairytale journey! I hope you enjoy the ride, because let me tell you, I did not read 50+ million fairytales (and own the same amount of books on said subject) for nothing!

For those JUST joining us, you can read the first chapter here: Cinderboy Part 1

When last we left our poor Agate, he had taken up his coat and gone dashing into the DARK FOREST, of which is aunt Wentle is the ruler. Will he make it to the ball in time? Will he get help with his wardrobe? And will we ever know how he got his hands on poison lace (honestly I have no idea how he did either)? FIND OUT IN THIS INSTALLMENT (probably)!


(In which Agate meets his not-so-fairy-godmother)

    My first mistake in going into the Dark Forest was that I went right, instead of left. And everyone knows that the best way to go into enchanted forests is to take the left path--the one that looks difficult and dangerous and deadly. And any way you go, you need to make sure you do so in a counter clock wise direction and to always make a left.


    Which is why I have no idea why I turned right. I knew better. A will-o-the-wisp bobbed past me, taking me for some unsuspecting prince who'd taken a wrong turn and was trying to lure me deeper. Unfortunately for both of us, I wasn't that stupid.

     My second mistake was going in dark clothing. You'd think it would be a good idea. You know, blend in with your surrounding and what have you. Except that in the Dark Forest wearing dark things makes it easier for even darker things to find you. It's like wearing red in the snow. Just the thought of snow cause me to shiver, and my boot snapped a thick twig. I stopped. That was the third time I'd stepped on that particular twig.

  "Great, I'm lost." My voice echoed into the forest, sounding more like a lonely ghost's cry than my own voice.

    I took a slow circle--counter clockwise of course--and stared at the dark, finger like branches around me. All of the trees looked the same, as did the nine thin trails fanning out before me. I couldn't seem to find the path that I had once been on, which wasn't surprising. I hadn't been this deep in the woods before, and while I wasn't afraid of the creatures within them, I was afraid of dying of starvation. And cold. I hated the cold more than anything else.

    I had already tried going left at a six o'clock position. Perhaps I should try ten. Tugging my black coat closer around me, I circled counter clockwise until I hit ten, then hedged slightly to the left. That's another thing about trails in enchanted forests--go one hop to the left or right and you'll end up in a completely different part of the forest within minutes. It's all a matter of perspective. Something my mother had taught me.

    Unfortunately she'd never prepared me for the dark forest--she never had liked visiting aunt Wentle. Which is why, ten minutes later, I found myself right back where started, only this time most of my coat was tattered from a patch of scorch slugs and tangle-me-dead vines. My sleeves were also torn and my pants had been ripped in several places. Basically, I was unfit for a ball. But it was nothing a bit of magic couldn't fix when I got there. I hoped. Twelve was the next direction I chose, and I went counter-clockwise twice just to be safe before plunging almost straight ahead, veering to the left.

     The new trail appeared twenty one steps later, a well worn one with gold brown leaves thickly padding each side, and tree branches that arched above me like hands clasping one another. I paused. The downside to well worn roads was that they led out of the woods, not through them. And I did not want to end up in some village that broke out into song every five minutes. If you've ever heard a tone-deaf baker singing, you'd know why I hesitate to go into singing villages.


   The voice coming from my right was hoarse sounding, like they were in the middle of a bad cough. I really didn't have time for this. Sighing, I turned and came face to face with....well I'm not sure what. A man. A man my age who was very attractive, if I had to be honest. He was well lit by a lantern hanging above him, highlighting tawny brown skin, long, waving dark brown hair, and the most beautiful golden eyes I had ever seen short of a honey jar sitting in afternoon sunlight.

"That depends," I said, drawing myself up to my full hight. "on what you do to people who are lost."

"Normally," The man said with a smile, "I eat them."

"Then I'm not lost. Excuse me."

   I didn't have time to exchange words with a magical being, nor did I have the energy to waste my valuable wit on him. Even if he was cute. I'd rather take my chances in a singing village, where I'm sure they could point the way to the Dark Prince's castle. Because there's one thing villagers love singing about, it's dire warnings about the Dark Prince's home.

"I was kidding, Agate. It's a joke. Sarcasm. They told me you had wit, but clearly they were wrong."

    I spun around so fast my cloak fanned around in a great, arching swirl that I'd tried to perfect for hours in front of a mirror. And of course it had to happen when no one was able to see it. At least not anyone noteworthy. A perfect coat spin, wasted.

"Who are you?" I realize how cliche I sounded, but really, what else was there to say? How are you? Have you seen the Dark Prince lately? How's the kids?

"I'm your fairy godmother."


He certainly didn't look like one with his plain clothes that were--and I'm being generous here--hand me downs from a farm boy. I knew better than to judge someone by their appearance of course, but I'm sure fairy godmothers had standards. They were a guild, after all. And guilds had standards about things like clothes and hair. 

"How do I know you're not some bog toad dressed as a human waiting to devour me?" 

"I would have eaten you a long time ago. If I weren't your fairy godmother, how would I know your name?" 

   A fair point. I looked back at where the forest road led. I could risk going to a singing village or....

"If you're my fairy godmother, prove it." 

"Your name's Agate." 

"The whole forest knows that." 

"You uh..." My supposed fairy godmother suddenly looked less sure of himself. "Your aunt is the ruler of the Dark Forest." 

"Everyone know's that too. Try again. Go on." I smiled. "I'll give you one more shot." 

"You're so..." My fake fairy godmother frowned, searching for a word. 

"Smart? Witty? Giving?" 


"So I've been told." I ran a hand through my hair, because I knew it would annoy him. Well, it annoys most people, anyway. Aunt Wentle goes purple when I do it to her. "Was that your final guess? Because I have a ball to get to."

    He was silent for so long I figured I'd gotten the last word. I went to leave, but his voice rang out behind me. 

"Your cousin Snowflake likes roses." 

    Slowly, I turned back around. There was no way. No one knew about her obsession over roses except me. Well, and Snowflake. I must have looked more surprised than I thought, because my fake fairy godmother smiled in relief. Relief.  Surely a real fairy godmother wouldn't feel relief at getting something right if they already knew the answer to begin with.

    I glared at him, trying to stare down my nose in that I'm-better-than-you way my father had taught me. Except you can't do that when your shorter than your fairy godmother.

"That was a lucky guess."

"But I was right! Now look Agate, you're lost, your clothes are a mess, and you have horrible manners." 

"Excuse me, I have wonderful manners." 


"And a wonderful sense of humor."

"And modesty."

I decided to let that one go, because I really couldn't afford to be late--or later, really--to the ball. 

"Look," I said, "if you're going to insult me, fine, I'm used to it. But I'm lost, I'm late, and my clothes are ruined." 

"I know. I can help with your clothing...your style is all wrong for the ball anyway." 

    I could feel my temper rising. I took a deep, slow breath through my nose, hoping to calm down. Instead I ended up coughing because the smell of dead leaves and musty, wet frogs filled my senses. It was during my coughing fit that I saw a yellow fissure of light streak past my ear. And then another, and another. It was like a bunch of fireflies had decided to have a party around me. One light flew past my nose, and caused me to sneeze. Which is when I heard a 'pop'. 

    When I looked down it was to see my once tattered outfit had been transformed. Instead of black I was covered head to toe in white and gold. White leggings, white breeches, a white vest with gold leaf vines, white shirt, and a great white coat with gold trim. I wanted to like it. I really did. Except I hate white. And anything that reminds me of cold. I glared up at my failure of a fairy godmother. 

"What," I said, trying to keep my anger down, "have you done?" 

"I've made you presentable for court. You do know the ball is themed, don't you?" 


"Oh." My fairy godmother shrugged. "Well it is. It's winter themed. You look....really good in white. It brings out your eyes and hair. You're a bit thin though. Hasn't your aunt been feeding you?"

I could smell smoke, and I quickly curled my hands, stopping the fire that itched to leak out. 

"If by feeding me you mean do I get whatever table scraps Snowflake leaves behind, then yes, I do get fed." 

     We stood in awkward silence. I don't know if he realized that I knew he wasn't my fairy godmother (because a fairy godmother would know what my life was like), but he'd given me new clothing and information, regardless of what he was. I could have asked why he was helping me, but again, knowledge is dangerous, especially personal knowledge. This was probably the extent of his powers anyway. I clapped my hands together, hoping he didn't notice the soot on them, and smiled. 

"Thank you very much for the clothing. If I'm ever able to conquer a land for my own I'll be sure to name a forest after you. Um...what's your name?" 

"My name isn't important." Suddenly the golden eyed fairy godmother looked worried. Shifty.

"Oh but it is." I insisted. "How can I accept clothing from some one whose name I don't know?" 

"You don't need to know your fairy godmother's name, alright? Just...just get to the ball in time and make sure you dance with the prince."

"I would love nothing more than to do that, if I knew which way to go. Because I'm lost." 

"Right." Pushing his long hair back from his face (he had a lovely square jaw.), my not-fairy-godmother cleared his throat. "Go down this road. On the third tree before the end of the woods, go left. You'll reach the palace in no time. Remember, you need to dance with the prince. All night." 

"All night?" He couldn't be serious. "Do you know how many people will be waiting to dance with him?"

"Look, I don't care who you have to poison, transform, or curse, just make sure you stick with him. Now go!"

    He'd grabbed me by the shoulders and given me a push, causing me to stumble and almost fall in my new clothes. My new white clothes. I whirled to give him a piece of my mind--only to find him and his lantern gone. I rolled my eyes and head off in the direction I was supposed to.

     My life didn't seem to get any better the longer I lived in it. First my parents and my home were burned down to ashes, and then my aunt Wentle, and now this strange, golden eye man who'd tossed me in my least favorite colors had given me an impossible task. If I didn't know any better I'd almost say I was quickly on my way to becoming a princess locked in a tower.  At the third tree before the end of the woods I turned left, and hadn't gone more than ten steps when the world blurred together like a sort of shadowy watercolor. It snapped into focus after a few seconds and there, towering above black trees, was an even blacker castle.

     It's spires and turrets stood sharp against the night sky, and a lonely, moaning wind blew from behind me, stirring up dead leaves to dance in the sky. In the distance I could hear music. Dark, haunting, and beautiful. I had truly made it. I stuck my hands in my coat pocket against the cold, and my fingers jammed against stiff paper. Quickly, I withdrew the paper and found a black envelope. On the front in silvery lettering that must have taken hours to get correct, were the words I had longed to see nearly a year ago. 

You Are Cordially Invited

     Four words. Four words that would allow me entry into the world I knew I was meant for. Taking a deep breath I straightened my shoulders and headed for the castle, tucking the invitation safely into it's pocket. My fairy godmother may not be real, but the invitation was, and that was good enough. 

Wednesday, December 20, 2017


(In which meet our heroine)

So, I have a lot of skeletons in my closet.

Like, real ones.

And sure, I COULD animate them and make them move to the cupboard, but that would make aunt Wentle mad. And I can't have her turning me into a bat.


The worst part about animating skeletons is how much they talk. And by talk I mean complain. A LOT. How their bones hurt, how it's bone cold in the cupboard. how it rattles their bones when we push them out of the way when we're in a hurry. They really love making their puns. Which is fine, except it's the same ones. Every. Single. TIME. 


I sighed and quickly shut my closet. Only one person in the whole cottage screeched my name in that gritty, ear curling way. 


And only one other person could sound like she was drowning in a bucket of sadness when she talked. 

"I'm up here." I mumbled the words, but I knew they could hear me. It's a shame, because you'd think if they had such awful, loud voices, they'd have bad hearing to compensate. Sadly, they could hear a pin drop even if trolls were dancing up a storm. 

"Why are you up here, you selfish thing!?" Aunt Wentle sneered. Not said. Sneered. She sneered all of her words. "You're supposed to be adding lace to Snowflake's dress!" 

Snowflake was my cousin. My aunt Wentle named her that in hopes that she'd be as delicate as that horrible stuff that falls from the sky. Snowflake more or less looked like a stone with moss growing on top of it. She walked like it too. 

"Yeah!" Snowflake said in a wet-rag sob. "How will I make the Dark Prince notice m-me if you don't ma-make my dreeeesss?!" 

I winced as she ended on a high pitched wail. Aunt Wentle was giving me such an evil glare I would have sworn she was the rightful ruler of the Dark Forest. Which, consequently, she was.

"I'm sorry Snowflake. I'll add cobweb lace from the blackwidow stash in my closet, alright?"

"Really? Y-you're special lace that sparkles with poison?"

"Yes." I tried not to sound bitter. "I'll add it to the cuffs of your dress."

"OH Aggie, you're the best!"

Before I could stop her, my cousin hugged me with her cold, clammy, rock-lik
e arms. I hated when she hugged me, because if she was a rock, I was a twig. And rocks crushed twigs. She thudded out of my room in her version of a waltz and aunt Wentle sniffed her long crooked nose at me. Her dark eyes were massive due to her thick glasses, but it didn't do any good. She was mainly blind, and no glasses or magic had been able to fix it yet.

"Agate, when your mother and father died in that horrible fire five months ago, I took you in, and I certainly didn't have to!"

"Yes, Auntie."

"AUNT WENTLE." She boomed. "You're not a baby, young man, so stop using that insufferable word! I could have turned you into a newt and been done with you, you know."

"I understand that Aunt Wentle."

"I hope you do. Your parents left you nothing. Not a poisoned apple, not a magic wand, not even seven league boots! It's a disgrace to our name! Now hurry with that lace, we leave for the ball in three hours!"

What Aunt Wentle wasn't saying was that she wanted to throw me out but couldn't because, unlike Snowflake, I could cast spells. Real ones. And it made her black heart even blacker. Which is what happens when all you do is black magic. I believe in diversifying. But aunt Wentle doesn't know what that word means.

After she left my room I waited until I heard her footsteps hit the last creaky step before I dared to make a face at the door she closed. I hated it here. I hated having to be subservient to a wet rock like Snowflake. The only good thing that had come out of it all was that I had access to Aunt Wentle's spell book, and could sneak into it to learn new spells. One spell taught you how to reanimate a person's limb. They couldn't feel anything with it, and it'd rot eventually, but they got it back for a little bit. I used that spell and tinkered with it to make clothes instead.

Because if Aunt Wentle and Snowflake thought I'd sew any of her dressses by hand, they were crazier than a bat in a giant's ear.

Snowflake's dress was lying on the one chair I was allowed to have. It also doubled as my bed when the floor got too cold. The dress was pretty, if I did say so myself. Not that I knew much about fashion. But Snowflake seemed to like it, so I guess I had some sort of talent. It was made of silk, dyed with dark green swamp slime that added a nice sheen to it. It had puffed sleeves--that I now had to add my precious poison lace to--and the gown billowed out.

On any other person it would have looked wonderful. On Snowflake it looked like she was drowning. And believe me, I tried everything. But like I said, she's rock.

I could hear the front door slam, signaling Aunt Wentle had gone to wander the woods to hand out poison apples to children and I breathed a sigh of relief. now I could say the spell and she wouldn't hear. Taking the black lace from dresser I laid it on the dress and pointed to the puffed sleeves.

"Black of heart
 Cold as stone
 Stitch togther
 To be reborn"

It wasn't my most rhymiest of spells, but it did the trick. The two pieces of lace gave a little shiver and then wriggled like worms towards the sleeves, attaching themselves neatly around each one. For good measure I added some at the bottom of the dress to make a pretty rose. For some reason Snowflake really liked roses. I don't know where she'd seen one though, nothing like that grew in the Dark Forest.

But I don't question things like that. Knowledge is a dangerous thing, and you've got to be careful about what kind of knowledge you acquire. Spells and hexes are one thing. Knowing peoples deepest, darkest, thoughts and secrets can often leave you dead. And I liked living. Well, usually.

With the dress completed I got my own clothing ready. It might not seem like it, but clothes for men are tricky. First you have to make sure your breeches are padded just right. And when you're thin like me, it's important to know what does and doesn't work for you. Tight fitting shirts make you look like a skeleton and peasant shirts are too baggy and make your arms look like toothpicks. I had managed to make a black poet's shirt with billowing sleeves and tightly buttoned cuffs that I tucked into my black leather gloves carefully, otherwise it would pucker. My black boots were shined and I'd even managed to magic in a wonderful black coat.

In the cracked and mostly dusty glass window I could just make out my dim reflection. If I bent to the left, I wasn't as warped looking. In fact, I looked....almost normal again.

"Agate, is the dress--oh. Oh my!"

I spun around. Snowflake stood in the doorway, staring at me as if I'd sprouted three heads. I couldn't look that terrible. I glanced down at my shoes. No, they weren't crooked, and nothing was out of place. I definitely looked ready.

"Am I missing something?"

"Oh, well..." Whatever Snowflake was going to say she stopped, because she saw her dress waiting for her. "It's beautiful! Just what I'd imagined in my mind!"

Without even stopping to think that I might be offended--or embarrassed--she was out of her clothes and into the dress faster than I could think of a spell to make my eyes not remember what I'd just seen.

"Aggie, it's beautiful!" was. But Snowflake, poor, poor cousin Snowflake, looked like a rock with more moss than it knew what to do with. If I told her the truth she'd burst into tears and make my life miserable. If I didn't, I'd make all the people in court miserable. I was going to break the news to her gently, because I actually did feel bad for her, except Aunt Wentle came in then.

I held my breath. Maybe she'd tell her daughter. I might get turned into a bat again, but at least I wouldn't be the bearer of bad news.

"You look gorgeous, my little snow pile!"


"Why, the Dark Prince will be a puddle at your feet!"


I was at a loss for words, but I wasn't given a chance to try to find some, because Aunt Wentle turned to me and stepped close. So close that I could smell hints of the Dark Forest on her clothes and a strange, sickly sweet scent. Probably from the poisoned apples.

"Why do you have on such fancy clothes, boy?"

"Well, I figured I was going too."

"When did you ever hear me include you?"

I thought quickly. She was right. She'd never once asked me if I wanted to go--or told me I was. I tried not to blush. My face often turns red when I'm mad, but I've been working on that. I pressed my lips tightly together and counted to ten. Then I counted to ten again .And all the while aunt Wentle had her dark gaze fixed on mine, daring me to say something.

"You can't go." Said Snowflake.

"That's right." Aunt Wentle sniffed, and stepped back. "You're name never came on an invitation."

"Because I wasn't living here when they did."

"So?" Taking Snowflakes hand aunt Wentle tugged her out of the room. "You weren't invited and that's that. Watch the house and make sure that you keep those godawful scorch-slugs off our porch."

With a swish of her dark cape and purple dress--that was a really bad color for her skin--Aunt Wentle dragged Snowflake out of my room, down the stairs, and into the carriage pulled by the charred skeletal remains of once living horses. Aunt Wentle told me they'd belonged to a princess who had been foolish enough to try and take a shortcut through her woods. As I watched the black carriage roll away I tugged my coat off and threw it to the floor. The one good thing I'd had to look forward to. The one thing that my mother and father had promised they would take me to, had been snatched away again. 

A strange feeling fluttered in my stomach and slowly made it's way up my chest, spreading to my fingers. The scent of burning leather wafted to my nose and I curled my fingers. I'd almost lost control again. But I wouldn't. Not now. Not yet.

I gazed at my reflection for a moment. Caught a glimpse of a my dark eyes and the orange light that flickered in them. I closed them and when I opened them again the light was gone. Beyond the window the blue will-o-the-wisps were bobbing deep into the forest to lure unsuspecting people into the Dark Forest.

Grabbing my coat from the floor I headed downstairs. Without my asking, the door of the cottage flung open. The reaching, clawing hands of the Dark Forest stretched towards me as I buttoned up my coat.

If aunt Wentle thought I was going to obey her, or feared her woods, she'd picked the wrong opponent.

 I suppose she hadn't heard the rumors yet.

The Dark Prince didn't like princesses.

And, as it happened, neither did I.